LECTURES & SEMINARS
Animation Seminar
21.10.2019
Richard Whitby
Acinema (2014)
Stop-motion
The only way that cinema can be radical can be super fast with too much movement or super slow with not enough movement, the complete opposite of traditional cinema
The audio is just whatever audio was in the room while the animation was being filmed, random conversations from 2014, the conversations become part of the film
Was shown on a cinema screen on loop
Dimensions of Dialogue
Movies seem more natural than reality because they are escapes from private fantasy, an escape from your own internal world into somebody else's
Screen images as containers, that anyone can throw any ideas into
Cinema nowadays follows us everywhere like on our phones
As artists we switch between the maker and the viewer, for example, taking photographs of our work
Jason and The Arganaughts
Animation and film, animated models filmed in front of a pre-recorded film on screen
Film: If I Was Where I Would Be
Stop motion and film
Shown in a high end cinema
Can't see anyone speaking or making noise in the film parts, but you can hear noises and conversations in the background
Research Journal Seminar
22.10.2019
Richard Whitby & Rosie Potter
Some artworks don't make sense or can be confusing if there is no story or explanation behind it. The purpose of the research journal is to
Walid Raad
Emily Jacer
Francis Alys
Jamie Shovlin
Cheryl Dunye
Self evaluation form
PPD Section
Artist Statement
Bibliography
Research journal
-artists
-exhibitions
-reading
-primary research
-drawings
-notes
-documentation of artwork
-documentation of interim show
-avoid description and focus on your own relationship with whatever you are showing
-always credit images
-title works
-10 pages
-central core of thinking and research
-self evaluation form
-commentary and critical analysis
-link to PPD page
-remember to compress PDF
-internal assessment with tutors
-assessment with sculpture and fine art tutors
-external assessment with external assessor
-marks go to exam board
Perspectives Lecture
22.10.2019
Danica Maier
Looking Again, Again: A lecture in four movements
Bummock: a submerged mass of ice projecting downwards, a metaphor for unseen parts of the archive, the research that you do not see but each bit plays an important part in the final piece
'The sensation of not knowing anything but being on the verge of beginning to learn something'
'Items with no other similarity than their size might get put on the same shelf'
Score
Researched the method of the creation of lace by looking at technical diagrams and the sounds that these technical diagrams create, leading to music scores that were played on music boxes and then played live as a performance
Richard Long: Line made by Walking (1967)
How can the way one reads might be shown through drawing? -Anne Hamilton
The writer's pen moves up an down, as weaving machines weave back and forth
Through drawing one is learning about the power or letters and forming words, writing patterns
In a maze the least obvious path often turns out to be rather right one

23 Four Glory Holes (details)
2007
Danica Maier
Pencil on mylar mounted on aluminium
Painting & Cinematography
11.11.2019
Jack Perry
Cinematographers took a lot of ideas from painting:
Memory
Reality and fantasy
Social relationships
Dreams and nightmares
Things seen through a human lens
In what way can a painting be cinematic?
Suggests a story or a narrative
Something that has happened or could happen
'The Great Day Of His Wrath' - John Martin, 1851-3
Colour
Primal reactions to colour
Vittorio Storaro - colour theorist - the science behind colour
Once we started seeing things in colour we started to take more from painting
Purple - royalty - shown in marketing such as Dairy Milk
Red - primal feelings such as passion & love, also anger & aggression
Black - death and mortality in some cultures whereas it is white in others
Colour is ingrained inside our own consciousness
Yellow - joy and happiness - sunny days - Kandinsky described it as a sickly colour and used it to show aggression
Frank Miller - The Yellow Bastard - 1996
Kill Bill - Quentin Tarantino - 2003 - black and yellow used together to show hazards, relates to wasps and yellow danger signs
We Need To Talk About Kevin - Lynne Ramsay - 2011 - film about violence - used red to imply undercurrent of violence throughout the film such as tomato juice scene or even just red paint
Red - confusion between danger and lust
Monochrome scheme - can draw attention away from primal reactions to colour so we can make our own decisions about the characters or a sombre reaction, also b,he's boundary between good and evil
Composition and perspective
Helping the audience feel a different way
Close-up can bring us close to that subject or highlight detail
Medium - character and landscape
Wide shot - landscape - JMW Turner paintings, how the subjects relate to the landscape
The Passion of Joan of Arc - Carl Theodore Dreyer - 2003 - close up, dramatic, intense
American Honey - Andrea Arnold - 2016 - shot in 4:3 to frame characters individually, more of a relationship between viewer and character
The weather impacts the way that the viewer reads the situation
Robert Rauschenburg - 1954 - Taxi Driver Martin Scorsese - geometric shapes out of everyday objects
Light
The Night Watch - Rembrandt - 1642
Light helps us to sculpt faces and bring characters into 3D
Spotlight effect hides and reveals certain parts of the image - David with the head of Goliath - Michelangelo Merisi da Caravaggio - 1610
Heighten tensions by hiding somebody's eyes or just by showing a silhouette
Edward Hopper used different lighting to show different times of days such as early morning sunshine - taken by Terrence Malick in Days of Heaven - 1979 - who would only shoot film at golden hour
The subject
Seated Figure - Francis Bacon, 1961
Uses subjects in a surreal and upsetting fashion
Twin Peaks - David Lynch - 1990 - 1991
Body can become disturbing when pushed to its limits such as being unrealistically flexible
Dreams are shown like abstract paintings
Hunger - Steve McQueen - 2008 - uses the width of the frame to isolate the subject and focus on their feelings
Friday Sessions
17.4.2020
Richard Whitby
Film: Hollis Frampton - Lemon (1969)
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still of a lemon
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light expose increasing
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at first it looked like a tongue
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no sound
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makes you imagine your own ominous sound
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black background
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dark shadows
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light reflecting off lemon
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light exposure slowly decreases again
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shadow creeps over lemon bringing out its bumpy texture
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illusion of lemon disappearing
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reminds me of the sun's relationship with planets
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Earth orbiting the sun
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backlighting
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the lemon is in shadow as the background gets brighter
and fades again, leaving the screen blank
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sci-fi
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film: nostalgia
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simple but effective
Film: Ed Atkins - Death Mask 2 (2010)
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sounds like speaking played backwards
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focusing and unfocusing on objects
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some kind of vegetable? honey melon
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vibrant colours and projections
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kaleidoscope effect
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candle and flame represent something? life?
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candle gets blown out - death?
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intense sound
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almost unbearable at times
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image repetition
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sounds of dropping things and moving objects around
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focus on texture
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different lighting chances the texture
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sound of everyday conversations
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overlapping of images
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liquids poured onto object
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green screen effect used to show previous shots of the
back of someone's head and the candle on the liquid
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death mask is a cast of deceased person's face
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candle gave it a religious feel
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Ed Atkins was interested in the Durian fruit which smells
like rotting flesh which attracts flies and other insects
Film: Tom Stephan - 21st Century Nuns (1994)
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gay, male nuns in Britain
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the nuns cover areas such as safer sex education, protests and demonstrations, outreach to the gay community, and providing ritual to the gay population
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their goal is to 'expiate all stigmatic guilt and promulgate universal joy...'
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comical take on religion
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commenting on the way most religion condemns homosexuality
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leather jackets and leather gloves
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gay stereotypes
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serious undertone of tackling homophobia
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would homosexuality be accepted if it was a religion?
Springboard
28.4.2020
Jennet Thomas
Film makers who chose to work with constraints
Guy Ben-Nur: Berkeley's Island (1999)
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Low budget
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DIY
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Early works include himself and family surrounding the idea of isolation as an at home parent
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Based on Robinson Crueso
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Island in the middle of the family kitchen
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Family man wish to be alone
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Uses light from fridge door to read
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Daughter interferes by moving camera and making sandcastles
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Theme of isolation
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Internal voice of character
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Self reflection
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Diary entries
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Domestic
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Amateur
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Sees what he has been deprived of in objects - the female body
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Chocolate coins
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Entertaining self with penis
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Parrot is pet cat
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Dead pan humour
Sadie Benning: Jollies (1990)
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Childhood bedroom
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Toys as props, ideas and characters
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Close-up filming
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Sexuality development
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Isolated surroundings
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'I wanted to substitute artists, things that were around me, to illustrate the events. I used objects in the closest proximity. The television, toys, my dog, whatever.'
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Romance
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Black and white
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Unstable camera
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Music
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Barbies
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Close up of face telling story: intimate
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Aware that the creator and narrator is behind camera
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Different camera angles and perspective such as sideways or upside down
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Written words and lettered beads to spell out words
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Teenage stories
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Relationship with boys when younger
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Close ups of mouth and lips
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Shadows
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Shaving face - why? Masculine? Wearing a tie
Maya Deren & Alexander Hammid: Meshes of the Afternoon (1943)
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Just 2 people
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Continuity tricks
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Strange camera angles
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Difficult to hold onto reality
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Black and white
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Focus on shadows and silhouettes
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Knife in bread
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Percussion in soundtrack gives an uneasy feeling
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Light and shadow contrasts
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Cloaked figure with mirror for face
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Stairs and paths seem longer than they really are
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Falling : altered gravity
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Watching herself?
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Parts where the house seems to be moving reminds me of a fun house at a fair
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Repetition
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What is reality
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3 of the same person sat around table, are these people one person or all different?
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Man does the same things as the clocked figure, are they the same?
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Throws knife at man's face but instead it smashed a mirror showing his face
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Flower is shown throughout
Jacolby Satterwhite: Refining Desire 5
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Sketched his mother's inventions, she sent them in to shopping channels in hope they would be made, he later found out she had schizophrenia
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These drawings became her meditation/therapy
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He started making artwork about her world, including his mother's singing recordings, sees he is collaborating with her
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Gay scene
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Animation
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Social media
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Technology
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The way our bodies exist virtually
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Sees his body as a form of punctuation
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Obsession
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Lost movement in his arm as a child due to cancer, body wasn't moving as it should
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Sci-fi
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Surrealist
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Chaotic
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Inspired by family footage
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Wanted to dance with the girls but was pushed out
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'Queering the purpose of an object'
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Turning his mother's drawings into different objects
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'Pussy power' drawing, pouring liquid from this onto women whose 'bushes' are on fire
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Women dancing as they no longer have bushes
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Tying people up with hair and plaits
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'Lipstick for between the legs'
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Lipstick turns into giant penis which spits out mini dancing Jacolbys
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Dancing in triangles in space


Friday Sessions
1.5.2020
Richard Whitby
Sound: Felicia Atkinson - Shirley to Shirley
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poetry
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relaxing
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underwater?
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sci-fi
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hypnotic
Sound: Daphne Oram
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sounds using electronic devices
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recording onto tape
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playing different tapes at the same time with varying speeds
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'what music of the future would sound like'
Sound: Aki Onda - Ende Tymes
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musical performance
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big open warehouse
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different bells
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echo
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thin metal sheet on string being thrown around
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whistling
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tapping sounds like crackling
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building up of different instruments
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carries around tape recorders to record random sounds and brings them